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MNYANSIOTours & Travel
A photographer working from a safari vehicle

Photographic Safaris

Vehicles, light and time built around the picture rather than the itinerary

Photograph: Charles J. Sharp (CC BY-SA 4.0)

A photographic safari is a normal safari with three things changed: the vehicle, the schedule and the number of people sharing both. You want a low window line and a beanbag rest, you want to be in position before sunrise and still out at last light, and you want nobody in the seat behind you asking to move on.

That is most of it. The rest is knowing where to point the vehicle, which is a guide question rather than a gear question. A guide who anticipates that the cheetah will move to the termite mound at the far end of the plain will get you a better frame than any lens.

We run these as private departures, with day plans built backwards from the light, and with the flexibility to spend a whole morning on one subject.

What changes in the vehicle

  • Half the seats sold, so everyone has a full row and both windows
  • Beanbags on the window rails, which beat a tripod in a vehicle every time
  • Open sides or a full-length hatch, and roof canvas that comes off rather than folding back
  • Charging in the vehicle, and a second inverter at the lodge
  • A dust-sealed hard case, because the fine dust in the Mara and the Serengeti finds every sensor

Kit that earns its place

SubjectFocal lengthThe real problem
Savannah predators200 to 600 mmHeat haze after about 09:30 across open ground
Elephant and landscape animals24 to 105 mmGetting the mountain and the animal in one frame
Gorillas and forest primates24 to 70 mm, fast, plus a fast primeFour stops less light than you expect, and black fur
Birds in flight400 mm plusAutofocus tracking against cluttered backgrounds
Night drives, conservancies onlyFast prime, wide openFiltered spotlights, and very high ISO

Two bodies save more shots than a third lens, because changing lenses in a moving vehicle in dust is how sensors get ruined. Bring more cards than you think and back up every night; camps in the region have power but not reliable internet, so cloud backup is not a plan.

Gorilla and chimpanzee photography specifically

Flash is banned. The forest is dark, the subject is black, and you have exactly one hour. Set a high ISO before you enter the forest and stop worrying about noise, because a sharp noisy frame beats a clean blurred one. A wide aperture zoom in the 24 to 70 range does more work than a long lens, since the gorillas will often be closer than the minimum distance suggests. Wipe the front element constantly; the humidity fogs glass that came from an air-conditioned vehicle.

How the days run

Out before first light with coffee in the vehicle, shooting through the golden hour, then a slower stretch spent on behaviour rather than portraits. Back for the harsh middle of the day to download, back up and sleep. Out again by 15:30 and staying out to the legal limit, which in a national park is dusk and in a conservancy can be well after dark.

Where the light is best

The northern Serengeti and the Mara triangle in the crossing season, for the dust and the backlight. Amboseli in the early morning when Kilimanjaro is clear, which is usually before 08:00 and rarely after. Ndutu in February, for cheetah on short grass with clean backgrounds. The Kazinga Channel in the late afternoon, shooting from the boat at eye level, which is an angle you cannot get from a vehicle anywhere.

Guides who shoot

We use the same handful of guides for these trips. They understand why you want the vehicle turned around to put the sun behind you, they will reverse fifty metres without being asked, and they will not drive into your frame to get a client a closer look. That is worth more than anything you can buy.

Safaris built around Photographic Safaris

Each of these already includes it. Any of them can be reshaped around your dates.

A silverback mountain gorilla in the undergrowth of Bwindi Impenetrable Forest

Build your trip around Photographic Safaris

Tell us your dates and we will come back with an itinerary, the lodges we would use and a price that holds.